By: Emily LeBaronFox Sports | November 17, 2017 5:18pm| Updated November 17-19, 2017 10:25pmAt the beginning of the 20th century, many fashion designers were inspired by the ’30s, ’40s and ’50s.
There was a certain era of the fashion industry that was very similar to what we’re seeing today, where there was a lot of experimentation and a lot more fashion and lifestyle.
So in the ’80s and early ’90’s, a lot was going on.
It was a very different time.
The industry was starting to boom, and the consumer was looking for a more interesting way to fashion themselves.
The trend was more for clothes with big prints and lots of embroidery, and you had the fashion houses in New York, Los Angeles and London all putting their own stamp on their wares.
And the fashion designers had to go in and get their hands dirty and create the clothes.
So what were they going to do?
The most famous and iconic of the designers of the time was Gertrude Stein, who became the first woman to win the Nobel Prize in Fashion Design.
Stein was the fashion head at Dolce & Gabbana, the most iconic brand in the world, and she also owned her own label, Stein, Stein.
Gertrud Stein had a huge influence on a lot a lot women in the fashion world.
But at the same time, she was a great advocate for fashion and was also very passionate about her profession, so that’s why I think the idea of Gertrub is so interesting.
You could make it into a sort of a fashion statement, or a fashion piece.
That was her idea.
It’s a very feminine, girly thing.
The design was very feminine in a way, with the prints that were on the backs of the dresses.
They were all very pretty.
But they were not as fancy as the dresses you see in the magazines today.
Gavrilo Principi was another designer who was inspired by Stein.
She created the first Gertrippi dresses for Dolce and Gabbanas in the early ’70s, which were very popular and very elegant.
Principis was also the designer who helped popularize the concept of the “sartorial couture,” a term for the style of clothes worn by the highest-ranking members of society.
He had a very strong sense of fashion.
In the ’70S, there was an explosion of new designers who were working in the industry, and it was an interesting time to be a fashion designer, because people were interested in new ideas and new fashion.
So the idea was to go into the early years of the next century and try to recreate some of Stein’s influence.
But the clothes were not going to be exactly the same as those that Gert and Gilda wore in the 50s and 60s.
They had to be very sophisticated.
I was inspired from my mother.
My mother always wanted me to be an actress and play the role of a young girl.
And I think that I wanted to be like her.
So I just wanted to recreate the clothes that she wore.
It was very interesting to do a series on Stein that I did with her.
There were also a few designers who made their own pieces.
And so, the idea that I would be wearing the exact same thing every day of my life, in my own way, was just very interesting.
In an interview with Vanity Fair, Stein talked about how she was inspired to design the first dress by Gert.
She explained:The reason I was inspired was that I was in London, in London for the first time, and I remember going up to the London School of Economics and seeing the new Gert Stein fashion house, and seeing her design, and thinking, I want to be one of those designers.
And then the other designers started coming to the States and started showing up.
The first designer was a man named Norman Foster, who was also an artist.
And Norman Foster had worked for a few years with Stein, and had been influenced by her.
So, I was very inspired by him.
So, I went to London, went to Gert’s house, went into the sewing room and started making my own dress.
It looked very similar, because I had done the same thing with Stein’s design, so I made the same pattern.
And it looked very much like Stein’s, but I just went with the design.
And then Norman Foster showed up and he started sewing it up.
It took him a few months, but he came up with a really beautiful piece.
He was so impressed that he took it to a few of the other London designers.
They said, I don’t know how you can do that, but Norman Foster was right.
So the whole thing was done in just a couple of days.
The whole idea